A Centopeia: Humana 2

The filming was erratic. He used a heavy VHS-C camcorder, his thumb constantly over the lens. He would whisper-mumble to the camera: "For Mr. Six. He will see. I am the true fan."

The tape cuts to static.

Martin turned his camcorder on her. "You go in the front, Mum."

Martin lived in his mother’s basement in East London. The walls were stained with damp, and the only light came from a flickering CRT television. He was a small, sweaty man with thick glasses and a breathing problem. His job was collecting tickets at a concrete parking garage, a world of grey echoes and exhaust fumes. a centopeia humana 2

The Sequencer

"Full sequence complete," he whispers. "Now… for the sequel."

The final scene is not the police arriving. It’s not a rescue. It’s Martin sitting alone in the dark, the camcorder’s red light blinking. He has sent the tape to an old P.O. Box address for Tom Six. The centipede behind him has stopped moving. Only the first one, his mother, is still breathing, making a wet, gurgling noise. The filming was erratic

The second was his neighbor, a noisy gossip who always complained about the smell from his basement. The third was a security guard who caught Martin sleeping on the job. Martin didn't choose randomly; he chose people who had humiliated him. Each kidnapping was a petty revenge, a stitch in his masterpiece.

The climax came when Martin’s mother, suspicious of the smell, waddled down into the sub-level. She held a rolling pin. She saw the twelve-person centipede writhing on the floor, a chain of moaning, weeping flesh. For a moment, even she was silent.

He didn't connect mouths to anuses. That was Dr. Heiter’s primitive method. Martin, in his twisted logic, connected mouths to colostomy wounds he carved directly into the stomachs, creating a shorter, more acidic route. He called it "The Centipede 2: Direct Bypass." Martin turned his camcorder on her

His first victim was the prostitute who worked the corner near the garage. He offered her £50 for a "private session" in his soundproofed storage unit. Her name was Gina. She never saw the staple gun.

His mother, a monstrously obese woman, spent her days screaming at him from the top of the stairs. His only comfort was a battered DVD of The Human Centipede . He watched it every night, rewinding the surgery scene, memorizing the sutures. For Martin, the film wasn't grotesque; it was beautiful . But he felt it lacked ambition. Three segments were a joke. A real centipede needed length. Twelve, he decided. Twelve made a "Full Sequence."

Obsessed with Tom Six’s first film, a lonely, abused parking garage attendant named Martin decides to create a "superior" version of the Centipede using twelve victims, recording it all on a grainy camcorder to send to the director.

He converted the garage’s disused sub-level into his operating theater. He tied his victims to stained mattresses on the floor. There were no anesthetics. Martin believed pain was "the adhesive of the soul."