Bones 2001 | Mr.
Critics were sharply divided. Local South African reviewers often praised its energy and Schuster’s commitment, while international critics (on the rare occasion they reviewed it) tended to dismiss it as lowbrow and culturally tone-deaf. The film holds a generally low score on aggregator sites like Rotten Tomatoes, but that metric poorly reflects its cult status within its home market.
The film spawned a sequel, Mr. Bones 2: Back from the Past (2008), which saw Bones traveling through time. It was less successful but retained a loyal following. A Balanced Final Verdict Mr. Bones (2001) is not a “good” film in the conventional cinematic sense—it’s messy, uneven, and relies on humor that can feel dated or offensive when judged by contemporary international standards. However, as a piece of South African popular culture , it is an important and beloved artifact. It represents a specific era of local comedy that found a way to laugh at the country’s lingering racial divisions without (in the eyes of its fans) malicious intent. For anyone interested in regional blockbusters, post-apartheid identity humor, or Leon Schuster’s legendary prank-work, Mr. Bones is essential, if highly peculiar, viewing. mr. bones 2001
Mr. Bones (released in 2001) is a South African comedy film directed by Gray Hofmeyr and starring the iconic South African comedian and actor Leon Schuster. The film is a quintessential example of Schuster’s signature style: a blend of slapstick, hidden-camera pranks, and fish-out-of-water humor, often involving elaborate disguises and cultural misunderstandings. Critics were sharply divided








The suggested approach to learning and practice, and the advice of Dr.Cate Hummel in this article, is very valuable and effective for flutists to study a wide repertoire thoughtfully and in depth, while mastering the instrument at the highest level. Great ideas also for teachers. Thank you!
Muchas gracias Dra. Cate por sugerir revisar la bibliografía de un gran maestro legendario de la flauta como fue Moyse y su influencia en el estudio de la flauta moderna. Excelente artículo que anima a investigar sobre el tema.
Great article, dear Cate, and not only for students…
Congratulations!
This was a great article. It makes me want to dig the book out. I don’t think I’ve had anybody tell me exactly how to work through it though. Do you just play The Melodies until they sound as pretty as you think they can? Thanks!!
Awesome work! Thank you
I’m so glad I found your article. I am a saxophonist researching instrumental methods and teachers who allude to singing. I would love to read your dissertation on Moyse’s approach! I hope to hear from you.