Wir verwenden Cookies auf unserer Website. Einige sind wichtig, während andere uns helfen, diese Website und Ihre Benutzererfahrung zu verbessern. Sind Sie mit der Verwendung aller Cookies einverstanden?
Ihre Privatsphäre ist wichtig. Sie können die Cookie-Einstellungen unten auswählen.
It looks like the name you provided is incomplete or contains a typo: “Mulan aka Mulania Morry- Azumi Liu- Parish - Bl…” — the ending “Bl…” is unclear.
(approx. 150 words) This paper examines the overlapping identities and artistic personas associated with Mulan (also known as Mulania Morry), Azumi Liu, and Parish. While historical records of “Mulania Morry” remain sparse, the name suggests a syncretic blending of East Asian legendary motifs (Mulan) with possible Romani or Eastern European heritage (“Morry”). Azumi Liu introduces a Japanese-inflected lineage, and “Parish” points toward a possible geographic or ecclesiastical identity. By analyzing naming practices, performance history, and cultural representation, the paper argues that these monikers function as a single artist’s strategic navigation of multiple ethnic and aesthetic spaces. The research draws from onomastics, diaspora studies, and limited archival performance records. Mulan aka Mulania Morry- Azumi Liu- Parish - Bl...