Ren didn’t run to the arcade. He sat on the edge of her futon.
“Good,” she said, and reached into the pocket of her frayed cardigan. She pulled out a small, wooden cat. It was carved crudely, its tail a little too long, its ears uneven. “This was my komainu . My lion-dog. My father carved it the night the soldiers came to take him away. He said, ‘Natsume, as long as this cat has your name on its belly, you will be brave.’” -Nana Natsume--
One humid evening, a storm knocked out the power. They sat by a single candle. The silence was huge, filled only by the drip-drip-drip of rain through a tarp she’d refused to fix properly (“Roofs, like people, need to breathe,” she’d said). Ren didn’t run to the arcade
Years later, Ren is a man now. He lives in the city, in an apartment with good Wi-Fi. But on his desk, next to a sleek computer, sits a clumsy wooden cat. Its paint is gone. Its tail is still too long. She pulled out a small, wooden cat
The house smelled of old wood, dried herbs, and the faint, sweet smoke of incense. Every summer, ten-year-old Ren was sent to stay with his Nana Natsume in the mountain village. His friends thought it was a punishment. No Wi-Fi. No arcade. Just a creaky two-story house that sighed in the wind.
That was Nana Natsume. She did not throw things away. She repurposed them. Broken teacups became homes for moss. A rusted bicycle wheel was now a trellis for morning glories. And a shy, lonely boy from the city? She was repurposing him, too.