One of the first projects to emerge from the Lab was , a documentary series following the lives of Quechua weavers in the Peruvian highlands. The series won the Amelia Award for Social Impact in 2016 and was broadcast in over 30 countries, raising both awareness and funds for local cooperatives.
In addition, Pack Amate organized a series of —screenwriting classes, cinematography tutorials, and mental‑health talks—free for anyone with an internet connection. The workshops attracted over 500,000 participants worldwide, cementing Pack Amate’s reputation not just as an entertainment provider but as a catalyst for creative education. Chapter 7: The Global Stage – From Buenos Aires to Hollywood By 2022, Pack Amate’s catalogue boasted over 300 original titles, ranging from high‑budget dramas to experimental short films. The company’s annual revenue surpassed $150 million, and its subscriber base topped 12 million across 45 countries.
A watershed moment arrived in 2023 when announced a co‑production partnership with Pack Amate for a multilingual thriller titled Eco de la Sombra (Echo of the Shadow). The series, starring a diverse ensemble cast from Argentina, Brazil, and the United States, explored climate activism, corporate espionage, and the power of grassroots movements. Pornhub - Agustina Rey - 34 videos Pack - Amate...
Caminos Cruzados premiered simultaneously on Pack Amate Media in Argentina and on Televisa’s streaming platform in Mexico and the United States. Within a month, it logged over 15 million streams, earning critical acclaim and a nomination for “Best International Series” at the 2014 . The accolades cemented Pack Amate’s reputation as a serious contender in the global entertainment arena. Chapter 5: The Cultural Impact – Voices Amplified With increasing visibility came responsibility. Agustina remembered her early days in the barrio and the countless stories that never found a platform. She launched the Pack Amate “Cultura Lab” , an incubator program offering mentorship, equipment, and micro‑grants to creators from underrepresented communities—Indigenous peoples, Afro‑Latinos, LGBTQ+ artists, and rural storytellers.
By 2007, Agustina had saved enough to rent a modest office in the Palermo neighborhood and, together with three friends—, a sharp‑witted director; Sofía Calderón , a visual artist with a knack for branding; and Mariano “Mago” Torres , a tech wizard who could code a streaming platform in his sleep—she founded Pack Amate Entertainment . One of the first projects to emerge from
Pack Amate also pioneered a model for its most socially conscious content, allowing viewers in low‑income regions to stream for free while encouraging contributions from those who could afford it. This approach not only broadened the audience but also fostered a sense of community ownership over the narratives being told. Chapter 6: The Crisis – A Pandemic Test When the COVID‑19 pandemic swept across the globe in early 2020, the entertainment industry was thrown into chaos. Production sets shut down, cinemas closed, and advertising revenues plummeted. Pack Amate faced a critical crossroads: cut costs and retreat, or innovate and adapt.
The development process was grueling. Mariano worked nights in a dimly lit coworking space, writing code to support adaptive streaming, multi‑language subtitles, and a recommendation engine that could parse the cultural nuances of humor across different countries. Meanwhile, Sofía crafted a sleek, user‑friendly interface, inspired by the clean lines of Buenos Aires’ modern architecture. A watershed moment arrived in 2023 when announced
The partnership opened doors to new talent, higher production budgets, and access to world‑class post‑production facilities. Pack Amate’s next flagship series, (Crossed Paths), was a transnational drama that interwove the lives of a Buenos Aires street musician, a Mexican migrant farmworker, and a Chilean tech entrepreneur. The series explored themes of identity, displacement, and hope, resonating deeply with diaspora communities across the Americas.
The platform’s debut was met with a mixed reception—tech‑savvy millennials loved the fresh content, while older viewers were hesitant about streaming. To bridge the gap, Agustina organized pop‑up viewing parties in community centers across the city, projecting episodes onto large screens and offering free Wi‑Fi for attendees to download the app. The initiative was a hit, and word‑of‑mouth spread faster than any ad campaign could have managed. In 2013, Pack Amate caught the attention of Televisa Studios , a media giant based in Mexico City seeking to diversify its portfolio with fresh, regional voices. After a series of meetings in a sleek conference room overlooking Mexico’s bustling Polanco district, Televisa offered a strategic partnership: a co‑production deal and a modest infusion of capital in exchange for distribution rights in Mexico, Central America, and the United States.