So load it into your old tracker. Map it across five octaves. Write a riff that would make a Djent guitarist wince, then render it to 22kHz mono. Listen closely.
You will hear not a guitar. You will hear the —and it is more than enough. shreddage x soundfont
Shreddage X in SF2 format answers that question by refusing to choose. It is simultaneously a tribute to metal and a betrayal of it. It is a high-end library thrown into a low-end format, like a master painter forced to use crayon. And in that limitation, something raw and essential survives. So load it into your old tracker
The Soundfont version, however, introduces error . The SF2 format strips away scripting, legato transitions, and most of the velocity nuance. What remains is raw mapping: a series of static samples triggered by blunt MIDI velocities. The humanization is gone. The round-robins are limited. The amp simulation, if any, is crude. Listen closely