Umemaro 3d - Vol.10 - Dr. Sugimoto-------------s Lecherous Treatment.srt -

For six hours, he fed her manufactured sensations—violations of trust, invasions of dignity, the slow burn of helplessness. He watched her vitals spike and crash like a dying star. And he recorded every millisecond.

He sat down. He put on the cap. He recorded his own mind for the first time. What he saw was not a scientist. Not a healer. A hollow thing wearing a lab coat, feeding on screams.

The Synchro-Lens was destroyed by university lawyers. The files were deleted. But rumors persisted that somewhere on the dark web, a single recording survived: six hours labeled “Dr. Sugimoto—Final Treatment.” No one who listened to it ever spoke of what they felt.

His laboratory, tucked beneath the dull concrete of Okunoin University, was a cathedral of chrome and humming servers. Few visited. Fewer questioned. The graduate students saw only the published papers—breakthroughs in pain management, memory retrieval, phantom limb therapy. They never saw the private wing. They never saw the padded chair. He sat down

He lied.

His test subjects were not animals. Animals were too simple, he argued. He needed complex emotional response. He found them in the forgotten corners of the city: runaways, undocumented workers, people who would not be missed. He offered money, shelter, a chance to “participate in science.” They always said yes.

The next morning, a graduate student found Dr. Sugimoto in the padded chair, the cranial cap still humming. His eyes were open. His expression was blank—not peaceful, not pained. Simply empty , as if someone had erased every sensation he had ever stolen. What he saw was not a scientist

The end came not from the police, nor from a vengeful survivor, but from the machine itself. Neural pathways, once forged, become roads. The more he traveled the roads of cruelty, the more those roads grew inside him. After the twelfth subject—a former teacher named Yuki—Sugimoto felt something crack. Not in the chair. In himself.

The chair was Sugimoto’s true masterpiece. It could not only record sensation but amplify it, feeding back loops of pleasure, fear, submission—any frequency the wearer produced. He called it “Lecherous Treatment” in his private notes, a phrase he typed with clinical detachment.

One night, he strapped in a young woman named Rei. She had been living in an internet café, three months behind on everything. She trusted his white coat, his gentle voice, the promise of 50,000 yen. Dr. Sugimoto smiled. “Just relax

Later, alone in his quarters, he played the recording back through the chair. He closed his eyes. He felt what she had felt. And for the first time in years, Dr. Sugimoto smiled.

“Just relax,” he said, placing the cranial cap over her hair. “I’m going to record a small memory. Nothing painful.”